Daily Pulse

Top Tours: Anyma Has Top Debut On Artist Power Index Following Las Vegas Shows

Afterlife Presents Anyma “The End of Genesys” at Sphere Las Vegas
Anyma performs onstage during Afterlife presents Anyma “The End of Genesys” at Sphere Las Vegas on Dec. 27, 2024, in Las Vegas. Photo by Kevin Mazur / Getty Images for Anyma

Music producer and DJ Anyma has the top debut on the Artist Power Index on the heels of his eight-show engagement at Sphere in Las Vegas that kicked off Dec. 27 and continued into January.

Dubbed “Afterlife Presents Anyma: The End of Genesys,” the residency, which featured special guests at each performance, marked the first headlining stint at the 16-month-old venue by an electronic music artist. His string of shows also included the venue’s first ever New Year’s Eve concert.

Ticket sales from the event have not yet been reported, but the first six shows of the run, originally set to wrap on New Year’s Day, sold out early when it was first announced last summer. That prompted the addition of two more performances on Jan. 10-11.

Early in 2024, Anyma also played sets at the Coachella Valley Music & Arts Festival in April as well as the Tomorrowland Festival in Belgium in July. He is also set to perform at the upcoming Ultra Music Festival in Miami in March.

Colombian pop band Morat impacts both Global Live Boxoffice and Global Concert Pulse based on ticket sales at performances in Latin American cities on the “Los Estadios: Antes de que Amanezca” stadium tour. After shows in Bogotá, Colombia, in July, the tour was booked at venues in 11 more countries before ending with a string of eight stadium dates in four Mexican markets in November and December.

The finale was a sold-out engagement at Estadio GNP Seguros in Mexico City that featured three concerts, Dec. 13-15. With 162,886 tickets sold during the run, the combined gross from all three shows was $12.2 million, making it the No. 1 concert engagement on Global Live Boxoffice.

Then on Global Concert Pulse, ranked by gross averages from box-office results during the past three months, Morat debuts at No. 3 with a gross average of $3.37 million per show, based on sales at the final 12 concerts on the tour, set in nine stadiums. Seven of the venues hosted a single performance, while Estadio 3 de Marzo in Zapopan, Mexico, booked the band for two nights and the Mexico City venue for three. Altogether, the 12 performances racked up a gross of $40.4 million from 305,332 sold seats.

The 162,886 tickets sold at the three shows in Mexico City is the tour’s top attendance for one venue, but the two-night stint at Estadio 3 de Marzo had the second-best ticket count of 33,184, Dec. 2-3. Then, among the other venues with one show, Monterrey, Mexico’s Estadio Mobil Super moved the most tickets with 22,505 sold on Nov. 28.

Along with Morat, other touring artists claiming a No. 1 chart position are Coldplay with the top ranking on both LIVE75 and Global Concert Pulse and Bruno Mars who jumps one position to No. 1 on the Artist Power Index.

Coldplay’s chart-topping run continues for a second consecutive week on both charts, as the 11-show gross average of $7.8 million on GCP tops the gross average for P!NK, ranked second, by almost $4.3 million. Then on  LIVE75, the band repeats at No. 1 with a sold-ticket average of 56,359 from three concerts. That per-show average is almost three times higher than No. 2-ranked Phish’s ticket average of 18,792. But, while all of Coldplay’s concerts were stadium events, P!NK’s averages are based on a mix of both stadium and arena dates last fall, and Phish’s average is the result of four arena shows at Madison Square Garden in New York leading up to New Year’s Eve.

Bruno Mars is No. 1 on the Artist Power Index with the highest Streaming score of any of the 50 performers ranked on the chart. He also has the third best Airplay rank and the second highest Social score of any artist. His Live rank is based on December performances with his Las Vegas residency at Dolby Live at Park MGM.

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