San Juan Residency Earns Bad Bunny Top 10 Ranking On Artist Power Index

Bad Bunny jumps to No. 4 on the Artist Power Index, marking his first top 10 appearance on the chart since kicking off his concert residency at Coliseo de Puerto Rico José Miguel Agrelot in San Juan during July. The 30-show run, named “No Me Quiero Ir de Aquí,” is set to continue at the arena through Sep. 14 in support of the rapper/singer’s latest studio album DeBí Tirar Más Fotos, released in January.

The album will also provide the name for his next world tour that kicks off later this year, beginning with a two-show engagement at Estadio Olímpico Félix Sánchez in Santo Domingo, Dominican Republic, Nov. 21-22. Another two concerts will follow in San José, Costa Rica’s national stadium before he begins an eight-show run at Estadio GNP Seguros in Mexico City in December.

Then next year, he will play more stadium dates in Latin America, as well as Australia, Asia and Europe through July. The European leg will include a massive 10-night stint in Madrid, Spain at the 70,000-seat Riyadh Air Metropolitano football stadium, May 30 through June 15. Currently, the tour is booked through July 22, 2026, with a finale planned at King Baudouin Stadium in Brussels, Belgium.

Since Bad Bunny’s first tour in 2018, a whopping $726 million has been reported to Pollstar from 226 performances on five different tours. Collectively, the number of tickets sold on all of them tops 4.2 million.

In 2022, he was on the road with two tours: the “El Último Tour del Mundo” arena trek early in the year and the ”World’s Hottest Tour” set in stadiums from August through December. Together, they racked up $435 million from 2.4 million tickets at 81 shows. That same year he also scored the No. 1 year-end ranking among the top 100 touring artists worldwide. His most recent trek, last year’s “Most Wanted Tour,” grossed $211 million from 753,287 tickets sold at 49 North American arena concerts.

LIVE75 features a debut at the top as the No. 1 ranking belongs to Imagine Dragons, entering the chart lineup based on ticket sales at 16 performances on the band’s recent jaunt through Europe. Touring in support of their 2024 album Loom, the group began the tour last summer one month after the June 28 release date, starting with a three-month run of North American amphitheater dates. Then, shows in seven Asian cities followed in November and December.

The ”Loom World Tour” resumed in April of this year, beginning with a handful of shows in China, but the European leg of the tour began on May 27 in Milan, Italy. With a total of 27 headlining performances reported, the band grossed $164.7 million from more than 1.4 million sold seats at stadiums in 16 countries on the continent.

The final 16 shows on the tour’s European run drew a total of 869,557 fans with sold tickets averaging 54,347 per show. That ticket average earns the highest ranking on the chart, while the $98.9 million gross from the same concerts averaged $6.18 million per show. That makes Imagine Dragons one of only five headliners – joining The Weeknd, Linkin Park, Shakira and Post Malone – with an average gross of more than $6 million from multiple stadium events.

Ed Sheeran also makes a debut appearance on LIVE75, landing at No. 4 based on box-office totals reported from stadiums on his “Mathematics” tour’s current trek through Europe. With 12 shows occurring during the chart’s eligibility timeframe, he averaged 45,348 tickets per show at venues in Stuttgart and Hamburg, Germany; Ipswich, England; Oslo, Norway and Zürich, Switzerland.Then, a final top 10 debut on LIVE75 belongs to Christian music artists Phil Wickham and Brandon Lake who enter the chart at No. 10 with an eight-show ticket average of 17,333. The co-headliners’ “Summer Worship Nights 2025” tour welcomed 138,669 attendees at six arenas and one stadium in July, grossing just over $9 million. American Airlines Center in Dallas, Texas hosted two of the eight shows and moved a total of 33,293 tickets, July 26-27, with box-office revenue reaching $1.97 million.