West’s disc stood out in the rap landscape because of its atypical prose. It avoided the usual plotlines about sex, money and violence and touched on everything from religion to his own insecurities.

The performer, who isn’t afraid to sing his own praises after claiming he was “definitely robbed” when he picked up no trophies at the American Music Awards, also had a nomination for best new artist and shared a songwriting bid for song of the year with his hit “Jesus Walks.”

“Ten nominations, that’s amazing,” said West, a nominations presenter at the Music Box Theatre in Hollywood. “That’s like a perfect score. I’m at a loss for words.”

Usher and Alicia Keys, who collaborated on the hit “My Boo,” followed West with eight nominations each, including album of the year for Keys’ The Diary of Alicia Keys and Usher’s Confessions.

Ray Charles, whose posthumous duets album Genius Loves Company, became the biggest selling album of his long career, had seven nominations including album of the year and record of the year for “Here We Go Again,” sung with Norah Jones.

Green Day garnered six bids for its hard-driving rock-punk album American Idiot which satirized culture, politics and apathy. The group was nominated for record of the year and best rock song for the title track and best rock album.

Besides Charles’ and Jones’ “Here We Go Again” and Green Day’s “American Idiot,” other record of the year contenders were the mellow love song “Heaven” by Los Lonely Boys, the jumpy party song “Let’s Get It Started” by the Black Eyed Peas and Usher’s massive hit “Yeah!”

The best new artist class spanned soul, rap, country and pop, with nominees Gretchen Wilson, country’s self-proclaimed “Redneck Woman,” rapper West, young soul sensation Joss Stone, Los Lonely Boys and Maroon5.

Bids for song of the year _ which goes to songwriters _ went to “Daughters,” written and recorded by John Mayer, “If I Ain’t Got You,” written and recorded by Keys, “Jesus Walks,” recorded by West, “Live Like You Were Dying,” recorded by Tim McGraw, and “The Reason,” recorded by Hoobastank.

“It hasn’t sunk in yet,” said Hoobastank singer Doug Robb. “I feel like I’m in a daydream.”

Old-school performers filled the best R&B album category with Anita Baker’s My Everything, Al Green’s I Can’t Stop, and Prince’s comeback Musicology competing against The Diary of Alicia Keys and Jill Scott’s Beautifully Human: Words & Sound Vol. 2.

Loretta Lynn had five nominations in the country field including best country album for Van Lear Rose (which was produced by the White Stripes’ Jack White) and two bids for best country song for “Miss Being Mrs.” and “Portland Oregon.”

Her album competition includes McGraw for Live Like You Were Dying, Tift Merritt for Tambourine, Keith Urban‘s Be Here and Wilson for Here for the Party.

Half of West’s 10 nominations were in the rap field, including best rap album. He competes against himself in the best rap-sung collaboration with the songs “Slow Jamz,” performed along with Twista and actor-singer Jamie Foxx, and “All Falls Down,” which he performed with Syleena Johnson.

Also nominated for best rap album were Nelly’s Suit, LL Cool J’S The Definition, Beastie Boys’ To The 5 Boroughs, and The Black Album by Jay-Z, which he has said will be his last.

In the rock category, Green Day’s American Idiot was named in the best rock album competition along with Hoobastank’s The Reason, The Killers’ Hot Fuss, Velvet Revolver’s Contraband and The Deliveryman by Elvis Costello & The Imposters.

Beach Boys frontman Brian Wilson’s long-gestating album Smile, which was recently released after years spent on the shelf following his emotional and mental problems, collected a bid for best pop vocal album. It competes with Afterglow by Sarah McLachlan, Feels Like Home by Jones, Mind, Body & Soul by Stone, and Genius Loves Company by Charles.

The Grammys will be given out Feb. 13 in Los Angeles during a broadcast on CBS.