The 38-year-old dropped out in July from a new production of Wagner’s “Die Fliegende Hollaender (The Flying Dutchman)” after the image was televised. It appeared to be a swastika tattoo partly covered by another symbol, and the singer said at the time that getting the tattoos years ago was a serious mistake and he was “not aware of the extent of the confusion and hurt that these symbols would cause.”

But in a statement released Wednesday through New York’s Metropolitan Opera, Nikitin said, “While it is true that I have had a varied artistic life, including an interest in heavy metal music and Scandinavian mythology, which was the inspiration behind the tattoos I have on my body, it is inaccurate to state that I ever had a swastika tattoo. In fact, the tattoo that has been called into question and that was photographed in 2008 was still in progress at the time.”

Nikitin remains scheduled to sing Klingsor in a new production of Wagner’s “Parsifal” that opens at the Met on Feb. 15 next year. Nikitin called the withdrawal from Bayreuth “the most disturbing event of my artistic career.” He had the Met release both a sketch of the tattoo and what he said was a current photo of it, which depicts a star with eight points with a shield over it along with a sword and an ax.

“I have absolutely no affinity for or connection to any neo-Nazi or fascist movement, nor have I ever in the past,” he said. “Nazism in particular has been the source of great personal grief and loss. My two grandfathers were both killed by Nazi forces during World War II.

“My main interest and purpose in life is my art as an opera singer, and it is very distressing that a mistaken interpretation of a tattoo has caused the recent cancellations in Bayreuth and raised questions about my integrity as a performing artist,” he said.

Wagner, who died in 1883, wrote anti-Semitic essays and was the favorite composer of many Nazi leaders. The Bayreuth Festival, which he established, is run by great granddaughters Katharina Wagner and Eva Wagner-Pasquier.