Features
‘It’s Our Job To Ask The Right Questions’: Q’s With Sarah Slater, Vice President, Music & Festivals, Ticketmaster UK
‘We Have Thousands of Shows Priced At £10 Or Less’: Q’s With Andrew Foggin, Global Head of Music, DICE
‘I Had A Ticket, But On The Night Of The Show, I Watched Netflix’: Live UK’s Jon Collins Shares Audience Insights
‘A Brave New World With Infinite Opportunities To Do Things Differently’: Q’s With Tom Schroeder, EVP & Managing Executive, Wasserman Music UK
‘Agents Of Today Need A Complex Set Of Skills’: Q’s With Jules de Lattre, Agent, UTA
‘Remember, You Are Dealing With Human Beings’: Q’s With Matt Bates, Managing Partner & CEO, Primary Talent, UK
‘There Isn’t A Blueprint On How To Break An Act’: Q’s With Ben Coles, Music Agent, CAA
150 Years Of ‘Were You There?’ Moments: Q’s With Ally Pally’s Sophie Varnava
‘A Level Of Protection Is Comforting & Important’: Talking Insurance With Howden Group’s Charlie Connell
‘The Role Of The Promoter Is As Important As It Ever Was’: Communion One Is Just Getting Started
‘How Do We Get Fans To Go Out More’: Asking The Right Questions In Ticketing
Honesty, Passion & Strategy: How Agents Are Making The Most Of Near Infinite Opportunities
Ballroom Tales: The UK’s Buildings Are Creating Real Were-You-There Moments
‘The Future Of Music Is Safe’: Q’s With Adam Ryan, The Great Escape
The Tail Should Never Wag The Dog: How The UK Biz Is Navigating Culture & Commerce (Inaugural UK Focus)
