News‘We Have Thousands of Shows Priced At £10 Or Less’: Q’s With Andrew Foggin, Global Head of Music, DICEGideon GottfriedMay 10, 2024
NewsWhat’s The HYBE? NewJeans Controversy Roils South Korean Music ConglomerateAndy GenslerMay 9, 2024
NewsJudith Hill: Taking Back Her Spotlight After Life With Michael Jackson & PrinceDebbie SpeerMay 9, 2024
News‘I Had A Ticket, But On The Night Of The Show, I Watched Netflix’: Live UK’s Jon Collins Shares Audience InsightsGideon GottfriedMay 9, 2024
News‘A Brave New World With Infinite Opportunities To Do Things Differently’: Q’s With Tom Schroeder, EVP & Managing Executive, Wasserman Music UKGideon GottfriedMay 9, 2024
News‘Agents Of Today Need A Complex Set Of Skills’: Q’s With Jules de Lattre, Agent, UTAGideon GottfriedMay 9, 2024
News‘Remember, You Are Dealing With Human Beings’: Q’s With Matt Bates, Managing Partner & CEO, Primary Talent, UKGideon GottfriedMay 9, 2024
News‘There Isn’t A Blueprint On How To Break An Act’: Q’s With Ben Coles, Music Agent, CAAGideon GottfriedMay 9, 2024
News150 Years Of ‘Were You There?’ Moments: Q’s With Ally Pally’s Sophie VarnavaGideon GottfriedMay 9, 2024
News‘A Level Of Protection Is Comforting & Important’: Talking Insurance With Howden Group’s Charlie ConnellGideon GottfriedMay 9, 2024
News‘The Role Of The Promoter Is As Important As It Ever Was’: Communion One Is Just Getting StartedGideon GottfriedMay 9, 2024
News‘How Do We Get Fans To Go Out More’: Asking The Right Questions In TicketingGideon GottfriedMay 9, 2024