Daily Pulse

Live Est Belle: France Focus 2026 Index Page

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David Guetta brought his “Monolith” show to Stade de France in Paris in June. The stadium is celebrating a record 2026. Picture by Nicko Guihal

Dynamic is the word most commonly used by France’s live professionals when talking about the state of play in La Grande Nation. In a nutshell it means that while overall ticket demand remains strong, audiences have gotten more selective. Promoters and venue operators never had to be more refined in their offering in order to meet fans’ expectations.

Find out below what exactly that means, and enjoy Pollstar‘s France Focus 2026.

Main Feature:

Live Est Belle: The French Biz Is Going Through An Exceptionally Dynamic Period (Annual France Focus 2026)

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HOMEGROWN: France has a strong domestic scene. French rapper Luidji, pictured performing on stage at Rock en Seine Festival 2025 in Saint-Cloud, is just one example of many. Photo by Guillaume baptiste / AFP / Getty Images

The Interviews:

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Arnaud Meersseman, managing director, AEG Presents France

‘Every Show Has To Justify Its Value’ : Q’s With Arnaud Meersseman, MD, AEG Presents France

For our annual France Focus, Pollstar speaks with Arnaud Meersseman, Managing Director, AEG Presents France, touching on everything from the health of the country’s touring and festival industries to the grassroots scene and strength of domestic talent.

Meersseman also shared why he feels like the business is more healthy now than ever since the post-COVID bounce-back ; where he sees the greatest opportunities (as well as challenges) going forward; and moments that remind him of why he loves this job – the kind of all-encompassing round-up you only get when speaking to a seasoned live veteran.

‘I’m Independent, I Like The Stress’: Q’s With Matthieu Drouot, CEO, Gérard Drouot Productions

Gérard Drouot Productions is the last independent promoter operating at a major scale in France. There’s several independent promoters that are doing great business in the country, of course, but non have a portfolio the size of GDP, especially when it comes to major international tours.

It’s a lot of work to keep up with the pace of the multinational businesses GDP is competing with, but Matthieu Drouot, who today runs the business his father created in 1986, doesn’t mind. He loves his job, including the stress it places you under. He does wonder, though, if the business has become less fun than it used to be 10 to 15 years ago, and observes some of its current developments with skepticism.

But he also sees a lot of opportunities spread around all of France, and found the time amidst his busy schedule to talk about all of it.

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Matthieu Drouot, CEO, Gérard Drouot Productions
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Lily Fisher, director, Le Zénith – Paris La Villette. Picture by Augustin Detienne

‘Programming Is Becoming Denser Throughout The Year’: Q’s With Lily Fisher, Director, Le Zénith Paris

Arenas in France are called Zéniths. Or, to be more precise, Zéniths sit between ampitheaters and arenas in terms of their capacity. Three of them – Zénith Paris – La Villette, Zénith Nantes Métropole, and Zénith Toulouse Métropole – are managed by Colling & Cie, where Lily Fisher is a partner. She’s also the director of the Zénith in Paris, the first of its kind to open in France in 1984.

Today, there are 17 Zéniths dotted around the country, and playing a tour of Zéniths is a major milestone for any artists, international or domestic.

Pollstar spoke with Fisher about the state of play Le Zénith, and the trends that currently shape the French live scene. Stagnating,and in some instances decreasing, ticket prices, as well as a shift in seasonality of touring activity are just two of the interesting insights she talks about in this interview.

‘Arenas Are Becoming True Lifestyle Destinations’: Q’s With Marie Balsaqc, CEO Paris Entertainment Company

Paris Entertainment Company operates three landmark buildings in the Franch capital – Le Bataclan, adidas arena, and Accor Arena – comprising a total of more than 30,000 seats, and 400-plus events annually.

It’s buildings form a circuit within themselves, and there are many examples of artists who’ve performed in each of them while growing their fanbase in France. Paris Entertainment Company CEO Marie Barsaqc shares one example in this interview for Pollstar’s annual France Focus and talks about other trends shaping how her business operates, such as the rise of “sportainment”.

It’s a conversation that perfectly encapsulates the reality faced by many venue operators in France, including the challenges but especially the plethora of opportunities to meet the higher-than-ever audience expectations.

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Marie Barsacq, CEO, Paris Entertainment Company. Picture by Nicko Guihal
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Frédéric Longuépée, CEO of Plenitude Arena

‘The Residency Changes The Very Nature Of The Show’: Q’s With Frédéric Longuépée, CEO, Plenitude Arena

The biggest indoor stadium in Europe has a new name since July: Plenitude Arena, located in La Défense, a major business dirstrict in Paris, France. At a maximum capacity of 45,000, it offer space for the biggest shows by the biggest stars without exposing spectators to the elements.

It’s also home to professional French rugby club Racing 92, and hosts major sports events throughout each year, in 2026, for instance, the Rolex Paris Masters tennis competition.

Premium corporate events complete the core offering around which Plenitude Arena has built its business, and its diverse program has grown steadily over the years. For Pollstar’s annual France Focus, we spoke with Frédéric Longuépée, CEO of Plenitude Arena – about trends, challenges and opportunities, as well as event highlights like the upcoming Céline Dion Paris residency in September and October.

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